The ACH invited me to do a workshop for them this past January at one of their monthly meetings. I find it to be a bit of a challenge to focus on a good painting (in this case I was doing a portrait of my wife) while at the same time doing my best to offer knowledge that would be beneficial to those listening. In doing so you are using two compeletly different parts of the brain. But the harder part that night was trying to find a pallette to use. The location of this workshop was far from right around the corner so once I was there, there was no going back. I was pretty sure I had everything in tow only to realize that although I had my paints, I had nothing to put them on. Fortunately I'm not one to toss something aside even when I may not need it again so in the trunk of my car I found the cardboard piece I used for the design of the wood pallette I work on regularly (to quote Violet in "A Series of Unfortunate Events", "There's always something"). It actually was not too bad to work with. The paints seeped into the cardboard a bit and made for some dry brush action, but everyone got the jist of what I was doing and seemed to enjoy my pain and suffering!! Below are some pics that kept me laughing for a while. Enjoy!
I was invited to join the Diverge Workshop (
http://www.divergeworkshop.com/) a few weeks ago to do a live demo! It was a concept artist/illustrators extravaganza. There were a ton of fantastic artists there doing live demos. You can see the line up of teachers at the diverge website:
I was invited at the last minute to provide some traditional flavor to the mix. I set up in the theater room right next door to the main event and had a small but dedicated crowd of artists hanging out in my room. There were a lot of great questions I did a portrait of my wife (She is my most trusted and reliable model) over a two day period, 2-3 hours each day. It is always awesome getting together with like minds. Sometimes working by yourself out of your home can make you a hermit of sorts so getting out on these excursions is welcomed and appreciated!
I was also able to meet a fantastic artist named Michael Mentler. I have seen his work for some time and we have conversed online and via email...so it was great to meet in person. You can check out his work at:
Great Job Tony! You worked hard on the workshop man and it showed. We took a couple of pics, including one special guest from Gotham City!!!
Classicalartonline.com, at its basic level, is a website that allows a student to study directly under me via the internet in the traditional classical atelier style.
At the beginning of 2008 I was receiving a lot of emails from individuals living outside the United States. A lot of people wanted to study with me but they could not move to America for various reasons, which I understood. In March I gave a workshop to test out the idea of classical studies online and it worked out really well. Everyone improved greatly during that month and I learned that, not only was it possible to give online studies, but it was actually exceedingly advantageous to study online. Students had 24 hour access to ask me questions in the "blog" or "thread" I had created. There was documentation of everything I said to all of the students and video demos explaining each step. Those were things I would have killed for when I was studying. Personal guidance is extremely rare in art education...even in some classical atelier schools. Often times schools have 100 students and everyone receives 5 minutes of attention a week.
In the 1800's and early 1900's artists had to travel long distances to get proper training. Often times an artist would have to leave their family and live in Italy or France. This website is my idea to help all of these problems. I provide pdfs as well as other materials throughout the process. Students get to see video demos created by me...of me ACTUALLY doing the work. The students can interact with me directly in their instruction blogs and I have now added the ability to have live video painting demos where students can ask questions while I paint live. It's fantastic to now be able to offer that proper training to people in the comfort of their own homes.
ClassicalArtOnline.com is a year round training program. The workshop I gave in March was a one time thing but CAO will be open perpetually. Each student is taught individually so they can begin anytime independent of others and work as long as they need to in order to complete their training. The curriculum that I use is a modified version of what I learned from my teachers. It is essentially an alla prima version of Florence Academy of Art's program with some other minor changes. I have taken great efforts to only provide my students with, what I think are, the useful parts of that training. Things must make sense to me before I accept them. I expect my students to feel the same way. My training is therefore structured around giving students the core concepts not spoon feeding them a"style" or "way of doing things".
If you visit the website at
http://www.classicalartonline.com/ you can download a pdf that contains the curriculum and also an explanation of each stage and why it is important. You can also see some screen shots showing you what the website looks like on the inside as well. You learn to draw what you see by first copying master drawings (learning the principles in a 2d environment where the light doesn't change). Then you draw plaster casts from life (learning to simplify and draw what you see in a 3d environment). The next step is to complete some cast paintings (Introduction to paint, brushes, etc...on a limited palette so that students do not feel overwhelmed). Then you begin to work in full color on still life paintings and then work your way up to portraits and other more advanced paintings. So the training takes you one step at a time to the ultimate goal of painting in full color. Each section is introduced separately so that you will have time to grasp the core concepts. When all of this is thrown on you at once it can be quite overwhelming. In my opinion that is why a lot of students quit their art training...because they feel overwhelmed and confused.
The school is 200 dollars a month to enroll. Right now I have some slots open but more people are signing up every day so just keep that in mind. If you need more info or want to sign up just let me know. This would be my only caution to you. This program will most likely take you 2-3 years to complete fully (working hard). It is a serious training regiment meant to whip you into artistic shape. It is a difficult program and does not work out for those who are not serious about learning. If you are serious about learning than you will find a wealth of information and training to help you on your artistic way. If you want to book your spot you can contact me here:
Classical Art Online:
http://www.classicalartonline.com/
